I’m Jing. I’m a writer, curator, and producer. I work as a cultural instigator, finding new formats, understandings and alliances for creative practices.

My editorial, research and curatorial work revolves around the broad scope of art as technology, spanning the fields of contemporary art, experimental music, and critical technology. I previously co-ran ARTBIZTECH, a strategy + innovation consultancy and incubator focused on extending artistic research to the worlds of business and tech. I also curated BANG. PRIX, a program supporting interdisciplinary practitioners. I'm involved with communities like KERNEL and NEW INC as a mentor.
Currently building: OUTLYR-E.

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Click here for an updated overview of my writing and research.

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Other things I’ve been up to:

  I am developing You Are the Clock (2024-), a research and performance project on spontaneous composition as a generative practice.
[project documentation], [recording at Gekkasha Harisyobo, Tokyo, JP]
I co-produced A Spontaneous Breaking of Symmetry (2023-2024), a sonic triptych by Armen Nalbandian and Chris Corsano.
[I], [II], [III]
I co-produced The Complex Relationship Between Two Simple Machines (2023) + Death, Infinity and Zero (2023), dual-records by Armen Nalbandian, Dave King & Chris Speed.
[I], [II]
I curated Trembling in Every Direction (2022), an exhibition with Natasha Tontey and Nina Kuttler at Sanatorium Gallery.
[press release], [essay]
I co-edited PLATFORMS (2021-2022) (with Yin Aiwen), SO-FAR’s 4th Issue on platform design and interaction architectures on the web.
[archive]
Through ARTBIZTECH, BANG. PRIX and SO-FAR, I have advised projects across decentralized networks, AI, VR, gaming, and more — bridging concepts and theories with application and form.
[AETHA], [EDEN], [InAlt ID]

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I mostly lurk on Twitter and Instagram. I publish a Substack and am most responsive via email

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